AUDITIONS at Spotlighters Theatre - PLEASE READ COMPLETELY
Spotlighters Theatre holds auditions for productions approximately 8 to 10 weeks before the scheduled opening of the show.
Some roles may be pre-cast, and will be noted in the audition notice.
All actors should bring their resume, current headshot, and rehearsal conflicts to the audition.
All auditions are OPEN CALL unless noted in the specific audition notice.
For Musical Auditions, you will be asked to perform 24-32 bars of prepared music, but you may also be asked to sing another cut from that music or from another selection. An Accompanist will be provided. Sheet music in the proper key MUST be provided. A'cappella auditions are not allowed.
Please have all conflicts for the rehearsal period available, and please note on Audition Form.
Please verify that you are available for all performances.
All roles are non-equity (non-union) and are non-paid.
Spotlighters attempts to cast age appropriate actors when possible, and follows a color-blind / color-conscious casting policy when allowed by script or license.
If you are unable to attend the scheduled auditions, please send your resume and headshot to Info@spotlighters.org. If additional auditions are needed, you will be contacted.
Auditions are held at theatre unless otherwise noted;
Spotlighters Theatre - 817 Saint Paul Street - Baltimore, MD 21202
Some roles may be pre-cast, and will be noted in the audition notice.
All actors should bring their resume, current headshot, and rehearsal conflicts to the audition.
All auditions are OPEN CALL unless noted in the specific audition notice.
For Musical Auditions, you will be asked to perform 24-32 bars of prepared music, but you may also be asked to sing another cut from that music or from another selection. An Accompanist will be provided. Sheet music in the proper key MUST be provided. A'cappella auditions are not allowed.
Please have all conflicts for the rehearsal period available, and please note on Audition Form.
Please verify that you are available for all performances.
All roles are non-equity (non-union) and are non-paid.
Spotlighters attempts to cast age appropriate actors when possible, and follows a color-blind / color-conscious casting policy when allowed by script or license.
If you are unable to attend the scheduled auditions, please send your resume and headshot to Info@spotlighters.org. If additional auditions are needed, you will be contacted.
Auditions are held at theatre unless otherwise noted;
Spotlighters Theatre - 817 Saint Paul Street - Baltimore, MD 21202
Auditions are usually posted 10-12 weeks prior to the opening of the production. If you want to check out the exciting season - visit our Season 56 Page.
AUDITIONS for
Love, Loss and What I Wore
By Nora and Delia Ephron
Based on the Book by Irene Beckerman
directed by Erin Riley
May 18 - June 10, 2018
Love, Loss, and What I Wore is a collection of intimate stories complied by Nora and Delia Ephron based on the 1995 book (Love, Loss, ...) by Ilene Beckerman. A series of monologues and ensemble pieces about women, clothes and memory covering all the important subjects—mothers, prom dresses, mothers, buying bras, mothers, hating purses and why we only wear black. The subject matter of the monologues includes women's relationships and wardrobes and at times the interaction of the two, using the female wardrobe as a time capsule of a woman's life.
"Funny and compelling…but, not a comedy: A story about black cowboy boots becomes a sad tale of being underappreciated in a relationship; a tale of two women shopping for their wedding outfits ends bittersweetly; and the recollection of a new bra is a quiet testament to a women's search for dignity while undergoing treatment for breast cancer." —NY Times.
"So funny and so powerful; so dear and sweet; so remindful of our female wiles, our worries, our insecurities, our remembrances of mother, father, sisters, brothers, lovers—I think it can't miss." —WowOwow.com.
TEN SPOT THURSDAY: May 24 - 8:00pm (ALL Tickets just $10)
TALK BACK with Director & Cast: Sun, May 27 - immediately following performance
BUY TICKETS
AUDITION DATES:
Saturday, April 7, 2018 12pm - 3pm
Tuesday, April 10, 2018 6pm - 8:30pm
All roles are Non-Union, Non-Paid
All roles are open
We are casting between 5 and 7 women for 29 roles
Female or Female-Identifying Actors of all Ages, Ethnicities, and Sizes are strongly encouraged to audition.
The actor playing the role of Gingy must be, or be able to play 55+
The audition will consist of cold readings from the script in groups.
You may be asked to read with other actors.
Call backs will take place at the discretion of the director.
Please bring your headshot and resume. If you do not have a headshot, we will take a picture of you at the time of auditions.
Please bring all conflicts between April 14th and June 10th.
It is imperative that conflicts are listed accurately at the time of auditions due to the short rehearsal period.
For questions, please email Erin Riley at erinlovesplays@gmail.com
Love, Loss and What I Wore
By Nora and Delia Ephron
Based on the Book by Irene Beckerman
directed by Erin Riley
May 18 - June 10, 2018
Love, Loss, and What I Wore is a collection of intimate stories complied by Nora and Delia Ephron based on the 1995 book (Love, Loss, ...) by Ilene Beckerman. A series of monologues and ensemble pieces about women, clothes and memory covering all the important subjects—mothers, prom dresses, mothers, buying bras, mothers, hating purses and why we only wear black. The subject matter of the monologues includes women's relationships and wardrobes and at times the interaction of the two, using the female wardrobe as a time capsule of a woman's life.
"Funny and compelling…but, not a comedy: A story about black cowboy boots becomes a sad tale of being underappreciated in a relationship; a tale of two women shopping for their wedding outfits ends bittersweetly; and the recollection of a new bra is a quiet testament to a women's search for dignity while undergoing treatment for breast cancer." —NY Times.
"So funny and so powerful; so dear and sweet; so remindful of our female wiles, our worries, our insecurities, our remembrances of mother, father, sisters, brothers, lovers—I think it can't miss." —WowOwow.com.
TEN SPOT THURSDAY: May 24 - 8:00pm (ALL Tickets just $10)
TALK BACK with Director & Cast: Sun, May 27 - immediately following performance
BUY TICKETS
AUDITION DATES:
Saturday, April 7, 2018 12pm - 3pm
Tuesday, April 10, 2018 6pm - 8:30pm
All roles are Non-Union, Non-Paid
All roles are open
We are casting between 5 and 7 women for 29 roles
Female or Female-Identifying Actors of all Ages, Ethnicities, and Sizes are strongly encouraged to audition.
The actor playing the role of Gingy must be, or be able to play 55+
The audition will consist of cold readings from the script in groups.
You may be asked to read with other actors.
Call backs will take place at the discretion of the director.
Please bring your headshot and resume. If you do not have a headshot, we will take a picture of you at the time of auditions.
Please bring all conflicts between April 14th and June 10th.
It is imperative that conflicts are listed accurately at the time of auditions due to the short rehearsal period.
For questions, please email Erin Riley at erinlovesplays@gmail.com
