AUDITIONS at Spotlighters Theatre - PLEASE READ COMPLETELY
Spotlighters Theatre holds auditions for productions approximately 8 to 10 weeks before the scheduled opening of the show.
Typically auditions are on Saturday 11am - 3pm and Sunday 6pm - 9pm. Please verify dates and times on the specific audition page.
Some roles may be pre-cast, and will be noted in the audition notice.
All actors should bring their resume, current headshot, and rehearsal conflicts to the audition.
All auditions are OPEN CALL unless noted in the specific audition notice.
For Musical Auditions, you will be asked to perform 24-32 bars of prepared music, but you may also be asked to sing another cut from that music or from another selection. An Accompanist will be provided. Sheet music in the proper key MUST be provided. A'cappella auditions are not allowed.
Please have all conflicts for the rehearsal period available, and please note on Audition Form.
Please verify that you are available for all performances.
All roles are non-equity (non-union) and are non-paid.
Spotlighters attempts to cast age appropriate actors when possible, and follows a color-blind / color-conscious casting policy when allowed by script or license.
If you are unable to attend the scheduled auditions, please send your resume and headshot to Info@spotlighters.org. If additional auditions are needed, you will be contacted.
Auditions are held at theatre unless otherwise noted;
Spotlighters Theatre - 817 Saint Paul Street - Baltimore, MD 21202
Typically auditions are on Saturday 11am - 3pm and Sunday 6pm - 9pm. Please verify dates and times on the specific audition page.
Some roles may be pre-cast, and will be noted in the audition notice.
All actors should bring their resume, current headshot, and rehearsal conflicts to the audition.
All auditions are OPEN CALL unless noted in the specific audition notice.
For Musical Auditions, you will be asked to perform 24-32 bars of prepared music, but you may also be asked to sing another cut from that music or from another selection. An Accompanist will be provided. Sheet music in the proper key MUST be provided. A'cappella auditions are not allowed.
Please have all conflicts for the rehearsal period available, and please note on Audition Form.
Please verify that you are available for all performances.
All roles are non-equity (non-union) and are non-paid.
Spotlighters attempts to cast age appropriate actors when possible, and follows a color-blind / color-conscious casting policy when allowed by script or license.
If you are unable to attend the scheduled auditions, please send your resume and headshot to Info@spotlighters.org. If additional auditions are needed, you will be contacted.
Auditions are held at theatre unless otherwise noted;
Spotlighters Theatre - 817 Saint Paul Street - Baltimore, MD 21202
Auditions are usually posted 10-12 weeks prior to the opening of the production. If you want to check out the exciting season - visit our Season 58 Page.
UPCOMING AUDITIONS
The Shadow Box Oct 26 & 27, 2019
Aida Jan 4 & 5, 2020
Midsummer Gender Fluid Dream Feb 22 & 23, 2020
Zanna Don't Mar 28 & 29, 2020
Dinner With Friends May 2 & 3, 2020
Aida Jan 4 & 5, 2020
Midsummer Gender Fluid Dream Feb 22 & 23, 2020
Zanna Don't Mar 28 & 29, 2020
Dinner With Friends May 2 & 3, 2020
AUDITIONS FOR . . .
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DOGFIGHT
Music & Lyrics by Pasek and Paul; Book by Duchan “In one instant, the whole world can change” Michael Blum, Director Amie Bell, Choreographer Fuzz Roark, Executive Producer PERFORMANCES: MARCH 20 - APRIL 12, 2020. |
AUDITION DATES: (No appointments necessary, this is an open call)
SATURDAY, JANUARY 4, 2020 11 am - 3 pm
SUNDAY, JANUARY 5, 2020 6 pm - 9 pm (please arrive by 7 pm)
- Actors may be asked to remain and read with other actors auditioning
- Callbacks will be scheduled as needed.
PREPARATION FOR AUDITIONS
- Please prepare one song in the style of the show. Singing from the show is encouraged, but not required. An accompanist is provided.
- At the audition, you will be given a dialogue scene from the show to read.
- Please bring a head-shot and your resumé.
- IMPORTANT -- Bring a complete list of all scheduling conflicts between January 20 and April 12. NO CONFLICTS ARE ALLOWED March 16-19 (Tech Week).
- Performances are Fridays and Saturdays at 8 pm; Sundays at 2 pm; plus Thursday, March 27. (Mar 20 - Apr 12, 2020)
All roles are open to all ethnicities.
Non-Union/Non-Pay
SPOTLIGHTERS THEATRE
817 St. Paul Street Baltimore, MD 21202 410-752-1225
Info@spotlighters.org
Synopsis: On the eve of their deployment to Vietnam, three young marines set out for a final night of debauchery, partying, and maybe getting into a little trouble. But when PFC Eddie Birdlace meets Rose, an awkward and idealistic waitress he enlists to win a cruel bet with his fellow recruits, she rewrites the rules of the game and teaches him the value of compassion.
All roles are open to all ethnicities.
SATURDAY, JANUARY 4, 2020 11 am - 3 pm
SUNDAY, JANUARY 5, 2020 6 pm - 9 pm (please arrive by 7 pm)
- Actors may be asked to remain and read with other actors auditioning
- Callbacks will be scheduled as needed.
PREPARATION FOR AUDITIONS
- Please prepare one song in the style of the show. Singing from the show is encouraged, but not required. An accompanist is provided.
- At the audition, you will be given a dialogue scene from the show to read.
- Please bring a head-shot and your resumé.
- IMPORTANT -- Bring a complete list of all scheduling conflicts between January 20 and April 12. NO CONFLICTS ARE ALLOWED March 16-19 (Tech Week).
- Performances are Fridays and Saturdays at 8 pm; Sundays at 2 pm; plus Thursday, March 27. (Mar 20 - Apr 12, 2020)
All roles are open to all ethnicities.
Non-Union/Non-Pay
SPOTLIGHTERS THEATRE
817 St. Paul Street Baltimore, MD 21202 410-752-1225
Info@spotlighters.org
Synopsis: On the eve of their deployment to Vietnam, three young marines set out for a final night of debauchery, partying, and maybe getting into a little trouble. But when PFC Eddie Birdlace meets Rose, an awkward and idealistic waitress he enlists to win a cruel bet with his fellow recruits, she rewrites the rules of the game and teaches him the value of compassion.
All roles are open to all ethnicities.
CHARCTER BREAKDOWN - MALE PARTS
Eddie Birdlace (USM PFC) -- 21 years old. A natural leader amongst his comrades. Initially a hothead, a cocky smooth talker, but he eventually sheds his brash exterior. Vocal range top: A4; vocal range bottom: A2. Must have strength and control at the top of his range.
Bernstein (USM PFC) -- same age as Birdlace; his good friend. A bit nerdy; very inexperienced with the opposite sex. Vocal range top: B4; vocal range bottom: B2.
Boland (USM PFC) same age as Birdlace: his best friend. The most vocal supporter of the dogfight. Charismatic but crude in his behavior and language. Vocal range top: B4; vocal range bottom: B2.
Fector (USM P) / San Francisco resident / Bus Passenger / Hippie: mostly a young Marine but also doubles as other parts; sings ensemble. Vocal range top: B4; vocal range bottom: B2.
Stevens (USM PFC) / San Francisco resident / Bus Passenger / Hippie: mostly a young Marine but also doubles as other parts; sings ensemble. Vocal range top: B4; vocal range bottom: B2.
Gibbs (USM PFC) / San Francisco resident / Bus Passenger / Hippie: mostly a young Marine but also doubles as other parts; sings ensemble. Vocal range top: B4; vocal range bottom: B2.
Lounge Singer / Bus Passenger Pete / Marine First Sergeant / Drag Queen / Diner Patron / Headwaiter in Fancy Restaurant / Big Tony (Tattoo Artist): older male. Vocal range adaptable.
CHARACTER BREAKDOWN - FEMALE PARTS
Rose Fenny -- 20-ish: a diner waitress who dreams of life as a musician. She is a naturally shy and naive girl. She becomes smitten with Birdlace and discovers a lot about her self-respect and confidence along the way. Vocal range top: E5; vocal range bottom: G3. Strong lower range essential.
Marcy (Boland’s date; a prostitute) / Peggy (woman on the street) / Hippie -- can be any age. Marcy is Boland's date for the dogfight: a crass, brash, sneaky and cunning prostitute. Also plays other female roles in other scenes, and sings in the ensemble. Vocal range top: Eb5; vocal range bottom: F#3.
Mama Fenny / Suzette (Fector’s date) / Bus Passenger / Hippie -- can be any age. As Mama, is the owner of the diner where her daughter Rose works. Same actor plays a drunken date and several other roles, and sings in the ensemble. Vocal range top: F5; vocal range bottom: G3.
Ruth Two Bears (Bernstein’s date) / Librarian / Hippie -- can be any age. As Bernstein’s date, is a stolid wallflower. Same actor plays several other roles, and sings in the ensemble. Vocal range top: F5; vocal range bottom: G3.
Stevens’ date / Chippy (prostitute) / Bus Passenger / Hippie -- can be any age. Same actor plays several roles, especially a prostitute who tries to close up shop rather than “service” any more Marines; also sings in the ensemble. Vocal range top: F5; vocal range bottom: G3.
Eddie Birdlace (USM PFC) -- 21 years old. A natural leader amongst his comrades. Initially a hothead, a cocky smooth talker, but he eventually sheds his brash exterior. Vocal range top: A4; vocal range bottom: A2. Must have strength and control at the top of his range.
Bernstein (USM PFC) -- same age as Birdlace; his good friend. A bit nerdy; very inexperienced with the opposite sex. Vocal range top: B4; vocal range bottom: B2.
Boland (USM PFC) same age as Birdlace: his best friend. The most vocal supporter of the dogfight. Charismatic but crude in his behavior and language. Vocal range top: B4; vocal range bottom: B2.
Fector (USM P) / San Francisco resident / Bus Passenger / Hippie: mostly a young Marine but also doubles as other parts; sings ensemble. Vocal range top: B4; vocal range bottom: B2.
Stevens (USM PFC) / San Francisco resident / Bus Passenger / Hippie: mostly a young Marine but also doubles as other parts; sings ensemble. Vocal range top: B4; vocal range bottom: B2.
Gibbs (USM PFC) / San Francisco resident / Bus Passenger / Hippie: mostly a young Marine but also doubles as other parts; sings ensemble. Vocal range top: B4; vocal range bottom: B2.
Lounge Singer / Bus Passenger Pete / Marine First Sergeant / Drag Queen / Diner Patron / Headwaiter in Fancy Restaurant / Big Tony (Tattoo Artist): older male. Vocal range adaptable.
CHARACTER BREAKDOWN - FEMALE PARTS
Rose Fenny -- 20-ish: a diner waitress who dreams of life as a musician. She is a naturally shy and naive girl. She becomes smitten with Birdlace and discovers a lot about her self-respect and confidence along the way. Vocal range top: E5; vocal range bottom: G3. Strong lower range essential.
Marcy (Boland’s date; a prostitute) / Peggy (woman on the street) / Hippie -- can be any age. Marcy is Boland's date for the dogfight: a crass, brash, sneaky and cunning prostitute. Also plays other female roles in other scenes, and sings in the ensemble. Vocal range top: Eb5; vocal range bottom: F#3.
Mama Fenny / Suzette (Fector’s date) / Bus Passenger / Hippie -- can be any age. As Mama, is the owner of the diner where her daughter Rose works. Same actor plays a drunken date and several other roles, and sings in the ensemble. Vocal range top: F5; vocal range bottom: G3.
Ruth Two Bears (Bernstein’s date) / Librarian / Hippie -- can be any age. As Bernstein’s date, is a stolid wallflower. Same actor plays several other roles, and sings in the ensemble. Vocal range top: F5; vocal range bottom: G3.
Stevens’ date / Chippy (prostitute) / Bus Passenger / Hippie -- can be any age. Same actor plays several roles, especially a prostitute who tries to close up shop rather than “service” any more Marines; also sings in the ensemble. Vocal range top: F5; vocal range bottom: G3.