DIGITAL SHOW CARD
THE STORY: As the play begins Helen and John gaze proudly at their new offspring, a bit disappointed that it doesn’t speak English and too polite to check its sex. So they decide that the child is a girl and name it Daisy—which leads to all manner of future emotional and personality problems when it turns out that Daisy is actually a boy.
Thereafter, in a series of brilliantly theatrical and wildly hilarious scenes, the saga of Daisy’s struggle to establish his identity continues, despite his parents’ growing obliviousness.
At the outset there is a zany nanny who gives him a lethal toy to play with; then the small problem of Daisy’s penchant, as a toddler, for throwing himself in front of buses; then his bizarre problems in school; and, finally, the sessions with his analyst which enable him, at last, to accept his maleness and stop wearing dresses.
In the end the play comes full circles as the former Daisy and his young bride fondly regard their own baby—forgiving of the past but determined not to repeat its calamitous mistakes.
There is no official rating system for live theatre. We encourage you to use your judgment based on your child's age and maturity level.
BABY with the BATHWATER .... Scenes and Settings
Scenes/Settings: NEW YORK CITY; Although the play’s action covers ±30 years, it all takes place ±1982.
Act I
Scene 1: John & Helen’s Apartment, one morning: John and Helen admire their new baby.
Scene 2: John & Helen’s Apartment, later that night: The baby interrupts their sleep.
Scene 3: John & Helen’s Apartment, much later that night: And again!
Intermission
(15 mins, please enjoy your refreshments in the lobby. Only Bottled water is allowed into the theatre.)
ACT II
Scene 1: A Park Playground, some years later: Kate, Angela & Helen talk about their children.
Scene 2: John & Helen’s Apartment, later that day: Daisy lies under a pile of laundry while John and Helen talk.
Scene 3: Mrs. Willoughby’s Office, years later: Miss Pringle brings Daisy’s “summer vacation” essay to the School Principal.
Scene 4: Daisy’s Therapy Sessions over the years.
Scene 5: John & Helen’s Apartment, much later: John and Helen celebrate Daisy’s 30th birthday.
Scene 6: Another Apartment, even later: Mr. & Mrs. Alexander Nevsky admire their new baby
Run Time: 2 hour and 15 minutes including Intermission
Thereafter, in a series of brilliantly theatrical and wildly hilarious scenes, the saga of Daisy’s struggle to establish his identity continues, despite his parents’ growing obliviousness.
At the outset there is a zany nanny who gives him a lethal toy to play with; then the small problem of Daisy’s penchant, as a toddler, for throwing himself in front of buses; then his bizarre problems in school; and, finally, the sessions with his analyst which enable him, at last, to accept his maleness and stop wearing dresses.
In the end the play comes full circles as the former Daisy and his young bride fondly regard their own baby—forgiving of the past but determined not to repeat its calamitous mistakes.
There is no official rating system for live theatre. We encourage you to use your judgment based on your child's age and maturity level.
BABY with the BATHWATER .... Scenes and Settings
Scenes/Settings: NEW YORK CITY; Although the play’s action covers ±30 years, it all takes place ±1982.
Act I
Scene 1: John & Helen’s Apartment, one morning: John and Helen admire their new baby.
Scene 2: John & Helen’s Apartment, later that night: The baby interrupts their sleep.
Scene 3: John & Helen’s Apartment, much later that night: And again!
Intermission
(15 mins, please enjoy your refreshments in the lobby. Only Bottled water is allowed into the theatre.)
ACT II
Scene 1: A Park Playground, some years later: Kate, Angela & Helen talk about their children.
Scene 2: John & Helen’s Apartment, later that day: Daisy lies under a pile of laundry while John and Helen talk.
Scene 3: Mrs. Willoughby’s Office, years later: Miss Pringle brings Daisy’s “summer vacation” essay to the School Principal.
Scene 4: Daisy’s Therapy Sessions over the years.
Scene 5: John & Helen’s Apartment, much later: John and Helen celebrate Daisy’s 30th birthday.
Scene 6: Another Apartment, even later: Mr. & Mrs. Alexander Nevsky admire their new baby
Run Time: 2 hour and 15 minutes including Intermission
Cast & Creative Team
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CAST
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CREATIVE TEAM
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SPECIAL THANKS
Natalie Nadozirny for her photography;
Natalie Nadozirny & Jamie Suthard for the use of their rehearsal space;
Lucy and Alyssa for helping with the Costume Room.
Natalie Kurczewski and Signature Theater
Darlay Altenord Lee Gross Katie Hemphill Taylor Hughes Latrell Mathewson Peter Messmer
Natalie Nadozirny for her photography;
Natalie Nadozirny & Jamie Suthard for the use of their rehearsal space;
Lucy and Alyssa for helping with the Costume Room.
Natalie Kurczewski and Signature Theater
Darlay Altenord Lee Gross Katie Hemphill Taylor Hughes Latrell Mathewson Peter Messmer
Cast & Creative Team Bios
Ifechukwu “Iffy” Alachebe (Daisy’s Therapist) is excited to make their debut performance on the Spotlighters Stage. Iffy had an amazing time exploring their character as a psychiatrist, they are also thankful to the creative team at Spotlighters for entrusting them with this character. When iffy is not rehearsing, they’re either working as a murder mystery company, listening to music, or walking in a park. Iffy’s previous roles include: Doctor Seward in Dracula: A feminist revenge fantasy, Sheldon Forrester in A Trouble in Mind, God in Slime. Iffy hopes the audience enjoys the show and learns a couple of things from engaging with the play.
Jaeden Arrington (Lighting Designer) is delighted to be working on this production with Spotlighters Theatre. Jaeden holds a degree in Theatre Design & Production from Towson University. When not designing, Jaeden works out in the woods at an outdoor learning center.
Michael Blum (Director) previously at Spotlighters directed The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Much Ado About Nothing, Twelfth Night, The Threepenny Opera, A Sensation Novel, Lysistrata (with Darlene Harris) and Dogfight (cancelled by the pandemic), and was a cast member in the Spotlighters productions of Jekyll/Hyde and Evita, directed by Fuzz Roark and Michael Tan. Michael is the former Director of the Marjorie Lawrence Opera Theatre and co-founder of the Young Victorian Opera Company. He has staged, translated, conducted, performed and produced over 100 plays, musicals, operas and concerts. As a director, Michael remembers best his Carmen, A Sensation Novel and Marigolds; as a designer, he treasures his memory of The Consul and HMS Pinafore; as an actor, he is proud to have played Roscoe in Follies, Lord Godalming in The Passion of Dracula and Babbs in Charley’s Aunt. Michael gives his utmost thanks to Jamie Suthard, a great person to have on any production staff, and especially on this one!
India Cochrane (Helen) is so grateful to be in her first show at Spotlighters. It’s been a blast developing characters and collaborating with such a great group of artists. She is the Produce Manager at Mom’s Organic Market at the Rotunda and can otherwise be found somewhere in the woods. Previous roles include Margrethe Bohr in Copenhagen at St John’s College in 2012, and Hamlette in Hamlette at Camp Alleghany for Girls when she was 12! India would like to thank her family, friends, and colleagues at Mom’s for all their support!
Julia Golbey (Costume Designer) designed the costume plot for The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Twelve Night and Much Ado about Nothing. She has also dressed the casts of Lysistrata, I Love You, You’re Perfect, Now Change; Love, Loss and What I Wore; Judy and the General and Consent.
Lucy Harrelson (Costume Assistant) is happy to be part of the Spotlighters Theatre for the first time. At American University she ran the follow-spot for Rocky Horror Picture Show, after dabbling in theatre throughout her educational experience. Lucy loves the theatre and dogs, and volunteers at the local SPCA. She has a Master’s Degree in Social Work from the University of Maryland-Baltimore and looks forward to supporting her fellow citizens’ mental health.
Gray Hemphill (Performance Stage Manager) is excited to return from her hiatus and head backstage once again. She joined BITB as the performance SM just before tech week and is so thankful for all the support the cast and crew have given her. Earlier this season, Gray stage managed the five-star rated and BroadwayWorld.com award nominated show, A Raisin in the Sun, from start to finish. She would like to thank the patrons for their continued support of Spotlighters and hopes to see you again next season.
Lauren Marsh (Board Operator) is thrilled to be working on her first production with Spotlighters! Lauren is a current student at Towson University pursuing her degree in theatre arts. She has previously worked on productions of Rock of Ages (Towson University), You’re a Good Man, Charlie Brown (Towson University), Carrie: The Musical (Towson University), Everybody’s Talking About Jamie (Iron Crow Theatre). You can catch Lauren working on Iron Crow Theatre’s production of The Rocky Horror Show this summer. Enjoy the show!
Justin Nepomuceno (Scenic Designer) is a Baltimore-based installation artist and designer. Previous credits include Scenic Designer for Raisin in the Sun, Deathtrap, and Working for Crumbs at Spotlighters Theatre; On the Verge at Fells Point Corner Theatre; and Honey Bee Baby at Rapid Lemon Productions. He was Scenic Painter for “Ma Rainey's Black Bottom” at ArtsCentric as well as props artisan for Sister Act at Ford’s Theatre, Waitress at Olney Theatre Center, and Covenant at Theatre Alliance. Justin holds a BS/BFA in Design etc. from Towson University and can be reached @Nepoillustration.
Zoë Nowoslawski (Properties Manager)is a multidisciplinary artist living in Baltimore City. This is her second show with Spotlighters, and first doing props! She is so excited to work with so many amazing creatives and to put on a great show!!
Evangeline Ridgaway (Nanny; Kate; Mrs. Willoughby the Principal) is very excited to return to Spotlighters as part of the cast of Baby with the Bathwater! Her last onstage appearance was as Viola in Spotlighters' production of Twelfth Night. Other favorite roles have included Jenny Diver in The Threepenny Opera (Spotlighters), the Witch in Into the Woods (Spotlighters), Georgeanne in Five Women Wearing the Same Dress (Mobtown Players), and Skuld/Norn in Valhella: The Ragnarøkkoperetta (Baltimore Rock Opera Society). She would like to give special thanks to Michael for the opportunity to bring these wacky characters to life, and to her family for their love, patience, and support through the production process!
Russell Sorbello (John) is delighted to be making his onstage debut at Spotlighters Theatre! Prior credits with Spotlighters include running the audio/light board for Deathtrap and Working for Crumbs. Outside of theatre, Russell has an extensive film acting resumé: he has been known for his annual collaborations with the team SRK Video for the 72 Film Fest held in Frederick, Maryland, since 2014, and most recently debuted as Aidan in the independent feature Transformers: Terminal (2025). Russell would like to thank their family, friends (particularly Jen for covering shifts), and teachers for all their support. Enjoy the show and maybe a baked potato afterward!
Alyssa Stambaugh (Costume Assistant) is happy to be a part of a show at the Spotlighters Theatre for the first time. She is a lifelong fan of the action “behind the scenes” and loves to help out in any way, especially in the theatre community, which certainly has a fun environment. Alyssa works as a “space technician” for Northrop Grumman working on space products — everything she makes, ends up in space!
Jamie Suthard (Rehearsal Stage Manager) is returning to Spotlighters after working as the assistant stage manager on The Effect of Gamma Rays on Man-In-The-Moon Marigolds last year. She loves everything that is backstage. When she’s not working in the theatre, she can be found packing and unpacking for seniors who are moving as well as playing flyball with her puppy Zinnia. Thank you to Natalie, Christina and James for all of your support. Her performance backstage is dedicated to her dad and hero Mitchell Suthard.
Teagle Walker (Daisy) is thrilled to be making his Spotlighters debut in this wacky show! A Baltimore School for the Arts sophomore, Teagle is keeping himself busy: studying voice with Rahzé Sinclair and violin with Jane Cromwell. You may have seen him previously in local productions of Anastasia as Gleb, Hadestown: Teen Edition as Hades, or even as Mr. Charles in his school's Historical Scenes: Preservation, better known as “The Case of the Missing Oyster Cases.” He would like to thank Spotlighters for this opportunity, commonly used as an excuse to not do his AP Seminar homework. His thanks are sent to all his friends who continue to support him, even though he chose this over Rent, to his BSA Ensemble, and of course to his loving family. See you at the end of the show (literally — he’s not on until near the end)! Follow him @teaglewalker.
Rose Wallace (Cynthia; Angela; Miss Pringle; Susan) is a retired theatre kid who is delighted to be on stage again! Other than the performance she puts on every day as a teacher, this is her first production in 10 years. Rose is thankful for this opportunity to be ridiculous in a somewhat socially acceptable manner. She was recently surplussed from her teaching job and is thrilled to do something with her life besides cry over things outside her control. Her performance is dedicated to her cat, Queen Piper. Thanks for supporting local theatre, and enjoy
Ifechukwu “Iffy” Alachebe (Daisy’s Therapist) is excited to make their debut performance on the Spotlighters Stage. Iffy had an amazing time exploring their character as a psychiatrist, they are also thankful to the creative team at Spotlighters for entrusting them with this character. When iffy is not rehearsing, they’re either working as a murder mystery company, listening to music, or walking in a park. Iffy’s previous roles include: Doctor Seward in Dracula: A feminist revenge fantasy, Sheldon Forrester in A Trouble in Mind, God in Slime. Iffy hopes the audience enjoys the show and learns a couple of things from engaging with the play.
Jaeden Arrington (Lighting Designer) is delighted to be working on this production with Spotlighters Theatre. Jaeden holds a degree in Theatre Design & Production from Towson University. When not designing, Jaeden works out in the woods at an outdoor learning center.
Michael Blum (Director) previously at Spotlighters directed The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Much Ado About Nothing, Twelfth Night, The Threepenny Opera, A Sensation Novel, Lysistrata (with Darlene Harris) and Dogfight (cancelled by the pandemic), and was a cast member in the Spotlighters productions of Jekyll/Hyde and Evita, directed by Fuzz Roark and Michael Tan. Michael is the former Director of the Marjorie Lawrence Opera Theatre and co-founder of the Young Victorian Opera Company. He has staged, translated, conducted, performed and produced over 100 plays, musicals, operas and concerts. As a director, Michael remembers best his Carmen, A Sensation Novel and Marigolds; as a designer, he treasures his memory of The Consul and HMS Pinafore; as an actor, he is proud to have played Roscoe in Follies, Lord Godalming in The Passion of Dracula and Babbs in Charley’s Aunt. Michael gives his utmost thanks to Jamie Suthard, a great person to have on any production staff, and especially on this one!
India Cochrane (Helen) is so grateful to be in her first show at Spotlighters. It’s been a blast developing characters and collaborating with such a great group of artists. She is the Produce Manager at Mom’s Organic Market at the Rotunda and can otherwise be found somewhere in the woods. Previous roles include Margrethe Bohr in Copenhagen at St John’s College in 2012, and Hamlette in Hamlette at Camp Alleghany for Girls when she was 12! India would like to thank her family, friends, and colleagues at Mom’s for all their support!
Julia Golbey (Costume Designer) designed the costume plot for The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Twelve Night and Much Ado about Nothing. She has also dressed the casts of Lysistrata, I Love You, You’re Perfect, Now Change; Love, Loss and What I Wore; Judy and the General and Consent.
Lucy Harrelson (Costume Assistant) is happy to be part of the Spotlighters Theatre for the first time. At American University she ran the follow-spot for Rocky Horror Picture Show, after dabbling in theatre throughout her educational experience. Lucy loves the theatre and dogs, and volunteers at the local SPCA. She has a Master’s Degree in Social Work from the University of Maryland-Baltimore and looks forward to supporting her fellow citizens’ mental health.
Gray Hemphill (Performance Stage Manager) is excited to return from her hiatus and head backstage once again. She joined BITB as the performance SM just before tech week and is so thankful for all the support the cast and crew have given her. Earlier this season, Gray stage managed the five-star rated and BroadwayWorld.com award nominated show, A Raisin in the Sun, from start to finish. She would like to thank the patrons for their continued support of Spotlighters and hopes to see you again next season.
Lauren Marsh (Board Operator) is thrilled to be working on her first production with Spotlighters! Lauren is a current student at Towson University pursuing her degree in theatre arts. She has previously worked on productions of Rock of Ages (Towson University), You’re a Good Man, Charlie Brown (Towson University), Carrie: The Musical (Towson University), Everybody’s Talking About Jamie (Iron Crow Theatre). You can catch Lauren working on Iron Crow Theatre’s production of The Rocky Horror Show this summer. Enjoy the show!
Justin Nepomuceno (Scenic Designer) is a Baltimore-based installation artist and designer. Previous credits include Scenic Designer for Raisin in the Sun, Deathtrap, and Working for Crumbs at Spotlighters Theatre; On the Verge at Fells Point Corner Theatre; and Honey Bee Baby at Rapid Lemon Productions. He was Scenic Painter for “Ma Rainey's Black Bottom” at ArtsCentric as well as props artisan for Sister Act at Ford’s Theatre, Waitress at Olney Theatre Center, and Covenant at Theatre Alliance. Justin holds a BS/BFA in Design etc. from Towson University and can be reached @Nepoillustration.
Zoë Nowoslawski (Properties Manager)is a multidisciplinary artist living in Baltimore City. This is her second show with Spotlighters, and first doing props! She is so excited to work with so many amazing creatives and to put on a great show!!
Evangeline Ridgaway (Nanny; Kate; Mrs. Willoughby the Principal) is very excited to return to Spotlighters as part of the cast of Baby with the Bathwater! Her last onstage appearance was as Viola in Spotlighters' production of Twelfth Night. Other favorite roles have included Jenny Diver in The Threepenny Opera (Spotlighters), the Witch in Into the Woods (Spotlighters), Georgeanne in Five Women Wearing the Same Dress (Mobtown Players), and Skuld/Norn in Valhella: The Ragnarøkkoperetta (Baltimore Rock Opera Society). She would like to give special thanks to Michael for the opportunity to bring these wacky characters to life, and to her family for their love, patience, and support through the production process!
Russell Sorbello (John) is delighted to be making his onstage debut at Spotlighters Theatre! Prior credits with Spotlighters include running the audio/light board for Deathtrap and Working for Crumbs. Outside of theatre, Russell has an extensive film acting resumé: he has been known for his annual collaborations with the team SRK Video for the 72 Film Fest held in Frederick, Maryland, since 2014, and most recently debuted as Aidan in the independent feature Transformers: Terminal (2025). Russell would like to thank their family, friends (particularly Jen for covering shifts), and teachers for all their support. Enjoy the show and maybe a baked potato afterward!
Alyssa Stambaugh (Costume Assistant) is happy to be a part of a show at the Spotlighters Theatre for the first time. She is a lifelong fan of the action “behind the scenes” and loves to help out in any way, especially in the theatre community, which certainly has a fun environment. Alyssa works as a “space technician” for Northrop Grumman working on space products — everything she makes, ends up in space!
Jamie Suthard (Rehearsal Stage Manager) is returning to Spotlighters after working as the assistant stage manager on The Effect of Gamma Rays on Man-In-The-Moon Marigolds last year. She loves everything that is backstage. When she’s not working in the theatre, she can be found packing and unpacking for seniors who are moving as well as playing flyball with her puppy Zinnia. Thank you to Natalie, Christina and James for all of your support. Her performance backstage is dedicated to her dad and hero Mitchell Suthard.
Teagle Walker (Daisy) is thrilled to be making his Spotlighters debut in this wacky show! A Baltimore School for the Arts sophomore, Teagle is keeping himself busy: studying voice with Rahzé Sinclair and violin with Jane Cromwell. You may have seen him previously in local productions of Anastasia as Gleb, Hadestown: Teen Edition as Hades, or even as Mr. Charles in his school's Historical Scenes: Preservation, better known as “The Case of the Missing Oyster Cases.” He would like to thank Spotlighters for this opportunity, commonly used as an excuse to not do his AP Seminar homework. His thanks are sent to all his friends who continue to support him, even though he chose this over Rent, to his BSA Ensemble, and of course to his loving family. See you at the end of the show (literally — he’s not on until near the end)! Follow him @teaglewalker.
Rose Wallace (Cynthia; Angela; Miss Pringle; Susan) is a retired theatre kid who is delighted to be on stage again! Other than the performance she puts on every day as a teacher, this is her first production in 10 years. Rose is thankful for this opportunity to be ridiculous in a somewhat socially acceptable manner. She was recently surplussed from her teaching job and is thrilled to do something with her life besides cry over things outside her control. Her performance is dedicated to her cat, Queen Piper. Thanks for supporting local theatre, and enjoy
DIRECTOR'S COMMENTS . . .
“Don't throw the baby out with the bathwater!” is an idiomatic expression for “avoidable error” — while getting rid of something unwanted, make sure you don’t lose something of value! Durang takes that concept and crafts a comedy about family life in New York City c. 1982, illustrating what happens when parents, caregivers, neighbors, teachers, and even therapists try to dodge the realities and responsibilities that come with raising a child. The journey is funny, touching, waspishly arch and, in the end, fulfilling. “Hush, little baby, don’t you cry …"
“Don't throw the baby out with the bathwater!” is an idiomatic expression for “avoidable error” — while getting rid of something unwanted, make sure you don’t lose something of value! Durang takes that concept and crafts a comedy about family life in New York City c. 1982, illustrating what happens when parents, caregivers, neighbors, teachers, and even therapists try to dodge the realities and responsibilities that come with raising a child. The journey is funny, touching, waspishly arch and, in the end, fulfilling. “Hush, little baby, don’t you cry …"
